1.18.2010
1.08.2010
The Syndrome checks out some new gear...
Today we went to look at a new sfx amplifier. But it just wasn't loud enough. I guess that's why its been on the shelf for 10 years. It's a Fender Satellite but it just wasn't Fender enough. It was fun to play with for the day but it didn't have the tubes I needed.
Up next? I'm waiting on my Fender twin amp which is a real amp. This baby is no toy. It's the real deal corn meal!! But I have to wait 30 to 60 days for Fender to build it :( But boy is it worth the wait!!!! Let ME TELL YA!
P.s. - Will, I finally bought you those sticks I owed you!!
Up next? I'm waiting on my Fender twin amp which is a real amp. This baby is no toy. It's the real deal corn meal!! But I have to wait 30 to 60 days for Fender to build it :( But boy is it worth the wait!!!! Let ME TELL YA!
P.s. - Will, I finally bought you those sticks I owed you!!
6.07.2009
Zanies Too: Ready -- Set -- Syndrome!
Wow.
Just under 48 hours ago we would have spent Saturday at the drive in, or maybe playing some basketball, but around 2pm on Thursday I got a call from Chuck this booking agent/sound guy from Zanies Too in Indianapolis.
I had e-mailed Chuck and offered to fill a spot on Saturday's show at the last minute - hoping for an opportunity to play. I didn't actually expect a reply, but Chuck came calling and I answered. Well actually I missed his call, and -- wait I'm getting off subject.
Basically Chuck told me he didn't expect a huge crowd -- that he was booking a "string show" (apparently this means a 'string of different styles of music). He told me the first band was like a female pop/punk band - that the second band was more of a rock band, and that "well you guys are really something all on your own."
All the bullshit aside the show started to sound like an audition. An opportunity to cover a spot where another band had dropped out, and use it as a launching pad to get us in Indianapolis. Chuck had told me that the bar was being labeled as a "metal bar" and he didn't want that so they were going to try and bring in some different music. To be honest - I was trying to convince myself this was an awesome opportunity, but I don't know how much I really believed it.
(There was the whole issue of getting Eric off of work, but I'll leave that end of the story out as it's merely details of calling back and forth.)
We actually arrived at the bar at around 915pm and Chuck let's us know we were going on last. We got to talking with the first band (the pop/punk "Pigtail Crooks") and they were telling us how their lead singer had just quit 2 days before the show. (Actually at first I thought they had said she had just canceled on this one show, but we found out later she had quit the band)
But we loved their stuff! Because of the last minute change they had brought their friends and had different friends sing along with their music. (We found their impersonation of their formed singer fucking hilarious!) This is also when one of the waitresses asked us if we were going to "scream and growl" at her or if we were the "folk band." To which we replied "Is that what they told you?"
The next band was called Thrive a (I would call it progressive) rock band that sounded like a lot of stuff I've heard on X103. They spent their time on stage talking about working on their second album. They spent their time while we were on stage (literally) hitting a punching bag.
So then we got up on stage around 12:30am, and we did our thing. Actually we got booed before we started playing because Matt said "There has been a lot of loud music and we're going to mellow out for a minute." It didn't take long for those poor responses to change as we started playing through our album that we're working on. So you get most of the way through Morning Time and then the music just explodes.
After the show we heard a lot of great feedback. I'll run it down in a series of random quotes.
"The musicians who were here said it was original - musicians who didn't even play tonight and were here said you sounded original."
"In 30 years of running sound I have never seen someone do that." (reference to Matt's acoustic/electric amp rig)
"Honestly it's like you said - what you hear on your recordings is what you get. I've had people come in with great album's and suck. But really I was impressed -it was better than I expected."
We passed out a couple of demo's, and got our asses out of there. But Chuck told me he'd like to have us back to open for a well known band on a night when it's packed. So it turned out to be worth all the struggle and work to get up there on short notice.
Thanks to Chuck and Zanies Too, Pigtail Crooks, Thrive, and everyone who stayed to listen!
We'll be back as soon as we can!
Just under 48 hours ago we would have spent Saturday at the drive in, or maybe playing some basketball, but around 2pm on Thursday I got a call from Chuck this booking agent/sound guy from Zanies Too in Indianapolis.
I had e-mailed Chuck and offered to fill a spot on Saturday's show at the last minute - hoping for an opportunity to play. I didn't actually expect a reply, but Chuck came calling and I answered. Well actually I missed his call, and -- wait I'm getting off subject.
Basically Chuck told me he didn't expect a huge crowd -- that he was booking a "string show" (apparently this means a 'string of different styles of music). He told me the first band was like a female pop/punk band - that the second band was more of a rock band, and that "well you guys are really something all on your own."
All the bullshit aside the show started to sound like an audition. An opportunity to cover a spot where another band had dropped out, and use it as a launching pad to get us in Indianapolis. Chuck had told me that the bar was being labeled as a "metal bar" and he didn't want that so they were going to try and bring in some different music. To be honest - I was trying to convince myself this was an awesome opportunity, but I don't know how much I really believed it.
(There was the whole issue of getting Eric off of work, but I'll leave that end of the story out as it's merely details of calling back and forth.)
We actually arrived at the bar at around 915pm and Chuck let's us know we were going on last. We got to talking with the first band (the pop/punk "Pigtail Crooks") and they were telling us how their lead singer had just quit 2 days before the show. (Actually at first I thought they had said she had just canceled on this one show, but we found out later she had quit the band)
But we loved their stuff! Because of the last minute change they had brought their friends and had different friends sing along with their music. (We found their impersonation of their formed singer fucking hilarious!) This is also when one of the waitresses asked us if we were going to "scream and growl" at her or if we were the "folk band." To which we replied "Is that what they told you?"
The next band was called Thrive a (I would call it progressive) rock band that sounded like a lot of stuff I've heard on X103. They spent their time on stage talking about working on their second album. They spent their time while we were on stage (literally) hitting a punching bag.
So then we got up on stage around 12:30am, and we did our thing. Actually we got booed before we started playing because Matt said "There has been a lot of loud music and we're going to mellow out for a minute." It didn't take long for those poor responses to change as we started playing through our album that we're working on. So you get most of the way through Morning Time and then the music just explodes.
After the show we heard a lot of great feedback. I'll run it down in a series of random quotes.
"The musicians who were here said it was original - musicians who didn't even play tonight and were here said you sounded original."
"In 30 years of running sound I have never seen someone do that." (reference to Matt's acoustic/electric amp rig)
"Honestly it's like you said - what you hear on your recordings is what you get. I've had people come in with great album's and suck. But really I was impressed -it was better than I expected."
We passed out a couple of demo's, and got our asses out of there. But Chuck told me he'd like to have us back to open for a well known band on a night when it's packed. So it turned out to be worth all the struggle and work to get up there on short notice.
Thanks to Chuck and Zanies Too, Pigtail Crooks, Thrive, and everyone who stayed to listen!
We'll be back as soon as we can!
5.04.2009
Rhino's Gets Infected: The Swine Syndrome
Well my attempts at getting us a bigger show, and some new fans ended up with us falling flat on our faces. As soon as we showed up at Rhino's we found out that two of the bands had dropped out, and we would be playing with just an acoustic player. While we were excited to take the main stage -- we had no idea of the consequenses of not having other bands play.
What we hoped would have been a break out show for us turned into another hour and half performance for our fine fan base of about 25 people. While we are very frustrated about this, we are moving on and will find ourselves in the studio this weekend begining recording on our album.
So forgive us if we take a brake for the next few weeks, but it appears our time will be spend trying to get some decent recordings. Thanks for your support, and we'll see everyone soon.
What we hoped would have been a break out show for us turned into another hour and half performance for our fine fan base of about 25 people. While we are very frustrated about this, we are moving on and will find ourselves in the studio this weekend begining recording on our album.
So forgive us if we take a brake for the next few weeks, but it appears our time will be spend trying to get some decent recordings. Thanks for your support, and we'll see everyone soon.
4.22.2009
Drifty's Pub: The Struggle to Indy...
The struggle I speak of is one we all face - stupid f*#%ing cars! I was shocked the other afternoon when I found myself suddenly having to walk everywhere. On my way to drop off my new Vintage Ludwig drum set my car decided to die in a gas station parking lot, and has since not been able to start. This led to the past two weeks being an all out search for a vehicle before our show at Drifty's on 4.17.09.
It took a while, but I finally found a Ford Explorer, and we happily made our way to Drifty's Pub on Indy's south side where we made our first live appearance in Indianapolis. It actually was an easier set up than normal - Drifty's provides a house drum set, and is actually a very fun bar to hang out in.
We got there early - we wanted to see the bands before us, and support in anyway that we could. We stopped at John Wayne's which was across the street for some "world famous chicken" and instead got some of the "worlds worst beer."
We rolled into Drifty's around 9:40pm, and started drinking (Well I did, Matt & Eric both just relaxed). However, as the evening went on - it became apparent that a lot of our "fan base" wasn't going to make the trip to Indy to see us. However, we had some very AWESOME fan's show up, but not in the numbers we had hoped for.
If you ever get a chance, check the place out - it's at Stop 11 and Madison in Indianapolis. I want to thank: Jim, Amy, Bobby Boy, Drifty's, Hush Band, Common Nuisance, JShip, Jessika, Noah, Nate, and everyone else who came out to drink and watch us rock out...if you weren't there you really missed a great show (Including Eric doing some sort of Jimmy Hendrix moves on his bass)!
It took a while, but I finally found a Ford Explorer, and we happily made our way to Drifty's Pub on Indy's south side where we made our first live appearance in Indianapolis. It actually was an easier set up than normal - Drifty's provides a house drum set, and is actually a very fun bar to hang out in.
We got there early - we wanted to see the bands before us, and support in anyway that we could. We stopped at John Wayne's which was across the street for some "world famous chicken" and instead got some of the "worlds worst beer."
We rolled into Drifty's around 9:40pm, and started drinking (Well I did, Matt & Eric both just relaxed). However, as the evening went on - it became apparent that a lot of our "fan base" wasn't going to make the trip to Indy to see us. However, we had some very AWESOME fan's show up, but not in the numbers we had hoped for.
If you ever get a chance, check the place out - it's at Stop 11 and Madison in Indianapolis. I want to thank: Jim, Amy, Bobby Boy, Drifty's, Hush Band, Common Nuisance, JShip, Jessika, Noah, Nate, and everyone else who came out to drink and watch us rock out...if you weren't there you really missed a great show (Including Eric doing some sort of Jimmy Hendrix moves on his bass)!
3.03.2009
Re-Inventing the Radio Star: Zannel for dummies...
Editor's Note: For a copy of the radio show visit: http://www.zannel.com/americansyndrome
We gathered at our usual practice spot to pack the gear up. We had planned to play but Matt felt like he was getting sick again, and he decided he didn't want to rough up his voice practicing for the radio show. This upset Eric a little who wanted to go over a few spots in a few songs before going live on the air. You could say there was some shouting, arguing, anger, but the truth is that we were just nervous.
I had been in WFHB's studio's about 10 years ago doing a program called "youth radio," where they have DJ's that are in middle/high school. This put me a little more ease than Eric or Matt, but I still had my worries. Specifically my idea to enhance the radio show, and get it played live out in San Francisco, Seattle, D.C., and Texas.
WFHB's antenna only reaches 3 cities in our area; Elletsville, Nashville, and Bloomington. However, with their internet radio we had the ability to have anyone listen anywhere. And with internet that leaves a lot of possibilities.
Unfortunately for us the webstream went down just a few hours before we played. Which is probably why I wasn't so nervous. As it turned out - the whole thing felt a lot like practice.
The whole idea was to have pictures uploaded directly to Zannel.com, and have people listen to the webstream. This would have allowed to people all over the U.S. to watch us in studio as we were playing live on the radio.
But even without the internet air play, we got 6 songs recorded for free, and met some awesome guys in the studio. We want to really thank Abe, Shane, Local Live, and WFHB for having us on the air. Visit our website to download the whole radio show, or the songs as we played them. Here's the list:
1) Spillway Blues
2) Morning Time
3) Bus To Chicago
4) Never Be
5) To Climb A Hill
6) To Drink of God's Sorrow's
2.11.2009
WFHB: Local Live w/ American Syndrome
Please join us next Wednesday February 25th, 2009 @ 9:30pm on WFHB. Please don't panic you do not live in the Bloomington(IN) area, you can also listen online.
Try dialing into one of these stations: (91.3 FM | 98.1 Bloomington | 100.7 Nashville | 106.3 Ellettsville).
If you live outside of those area's, please visit the WFHB website, or follow this link: Listen to WFHB ONLINE.
Check back for more information!
Try dialing into one of these stations: (91.3 FM | 98.1 Bloomington | 100.7 Nashville | 106.3 Ellettsville).
If you live outside of those area's, please visit the WFHB website, or follow this link: Listen to WFHB ONLINE.
Check back for more information!
Anti-Valentines: A friday the 13th massacre
This weekend happens to be a return to the place where we almost got electrocuted the first time we played a live show. It's the home of the house party, the beer chug, the metal in a microwave.
We're to gather with 4 other bands and play 45 minute sets. We've planned to wear some sort of gangster outfits, and we're playing a whole bunch of new material. We've spent the past few weeks to try and really get a set list ready. This is something we are generally not good at. All of us are changing our favorite song, or what we want to play. Matt's favorite song, for example, is always the last one he wrote.
[Updated 2/21/09 @ 0710am]
Well the Anti-Valentines Day party went over pretty smooth. We had a long list of songs to get through in a 45 minute set, and we actually did quite well! Coming out of a show we are always a bit disappointed or worried things didn't sound so well, but this weekend was a bit of an exception.
The one thing that did feel a little strange was due to the high volume of songs we needed to play we didn't interact with the crowd much. We just pushed on through the songs trying to get all 14 played in 45 minutes!!
All the songs were pretty much new, but here's a list of the new ones:
Hey There Dark Cloud
Bus to Chicago
Never Be
Forgotten Fruit
To Climb a Hill
Well that's all for this week. Tune in Wednesday to hear us play on WFHB!
We're to gather with 4 other bands and play 45 minute sets. We've planned to wear some sort of gangster outfits, and we're playing a whole bunch of new material. We've spent the past few weeks to try and really get a set list ready. This is something we are generally not good at. All of us are changing our favorite song, or what we want to play. Matt's favorite song, for example, is always the last one he wrote.
[Updated 2/21/09 @ 0710am]
Well the Anti-Valentines Day party went over pretty smooth. We had a long list of songs to get through in a 45 minute set, and we actually did quite well! Coming out of a show we are always a bit disappointed or worried things didn't sound so well, but this weekend was a bit of an exception.
The one thing that did feel a little strange was due to the high volume of songs we needed to play we didn't interact with the crowd much. We just pushed on through the songs trying to get all 14 played in 45 minutes!!
All the songs were pretty much new, but here's a list of the new ones:Hey There Dark Cloud
Bus to Chicago
Never Be
Forgotten Fruit
To Climb a Hill
Well that's all for this week. Tune in Wednesday to hear us play on WFHB!
1.02.2009
New Years Eve:
Moonshine for everyone!
"What the fuck?"
"Someone left us some 'shine as a tip?!"
"How the hell did they do that?"
That's how 2009 started for me. Sitting in a truck with Matt, Nate, Jessika on my lap, and by some sort of strange mystery a bottle of moonshine in a 12oz. jar.
This story, actually starts two weeks ago when I had been trying to book the band for a December 26th show at Uncle Festers. I had friends from high school having a reunion at the bars, and I wanted to try and get a gig to play for the friends that never are in town to see us.
When that fell through, and my work schedule opened up a day on New Years Eve it felt like a gig would have to just fall into my lap. It didn't, but we did get one. Uncle Festers was happy to book us, but I could tell they were about as optomistic of a good turn out as I was. To keep it short, we ended up getting booked about 2 weeks before New Years Eve.
December 31st, 2008 started out like most days that our band gets together to play music. I woke up on someone's couch around 10:00am. Having fallen asleep around 8:00am I could see where this day was already headed. Another day of being awake for 30 hours with little sleep, and a lot of alcohol.
I had spent a few hours the night before at work making a flyer for the show. A lot of our usual fans were unsure if they were coming, and I knew we'd have to advertise to pull in the type of crowd that Uncle Festers(and ourselves) would want that night.
So Matt and I spent about an hour downtown hanging up flyers in about 5 degree weather. He was already saying he wasstarting to feel sick, and this didn't help either of us feel better. We stopped by CVS and got cough drops, but I didn't know how well Matt's throat would be able to handle the show.
But I was still really psyched for the show, and I talked Matt into going to a costume shop where we bought about 150 martigras' beads. It wasn't much, but I knew the crowd would eat it up. It also gave me a chance to let Matt rest his voice if it started to hurt.
So all of this took up most of our morning and around 3:00pm I dropped of Matt, and met up with Jessika to get our hotel. By the time I met up with Matt again, he was laying around his house watching Rush Limbaugh get interviewed on CSPAN or something. We didn't stay long as it was time to go gather the equipment and make the trip downtown to Uncle Festers.
Packing didn't take long, and we were meeting up with Eric at Uncle Festers at 9pm for the load in time. We were running late, but we had planned it that way. In fact I had put an earlier time on the flyers because I expected people to show up late.
So we're still setting up, the sound guy hasn't arrived yet, and people are already at the door trying to get in. Some people are just walking in and sort of hiding out in the bar (waiting to see if they get by the cover?). Here it is 10pm, and people are actually showing up on time. Friends of ours, and others that have just come down to hear some music.
We finally get to playing around 1045pm. It didn't start off that well. We had been practicing a lot of new material. Some new White Stripes cover songs but mostly some new material of our own, and because of this we had slightly neglected our "older" songs.
But this is where those cheap martigras beads I had bought actually saved us. Not only did I use them as a way to get people more into the show, but I actually used them to pause the show, and allow us to catch up with ourselves.
I don't know if it was nerves, anxiety, lack of sleep, lack of booze, or just lack of a really good practice the day before, but we were definately off on more than a few songs. But no one seemed to notice. Everyone stayed in great spirits, and even put up with us when we were a little behind on our New Years Eve 10 second countdown.
I've never been one for being center stage, but this was one time I forced myself into taking that role. It's hard being behind the drum set, and pulling this off, but I think I actually did pretty well. While tossing out beads I'm pretty sure I took out a few lights and a ceiling fan, but no one's eye balls, or alcoholic beverages.
Thanks to:
2008,
Uncle Festers,
The inventor of the martigras beads,
Whoever left that lovely jar of sweet corn liquor, and
the lady at the dollar store with the "yes we did" obama sticker
that gave Matt and I a much needed laugh.
"Someone left us some 'shine as a tip?!"
"How the hell did they do that?"
That's how 2009 started for me. Sitting in a truck with Matt, Nate, Jessika on my lap, and by some sort of strange mystery a bottle of moonshine in a 12oz. jar.
This story, actually starts two weeks ago when I had been trying to book the band for a December 26th show at Uncle Festers. I had friends from high school having a reunion at the bars, and I wanted to try and get a gig to play for the friends that never are in town to see us.
When that fell through, and my work schedule opened up a day on New Years Eve it felt like a gig would have to just fall into my lap. It didn't, but we did get one. Uncle Festers was happy to book us, but I could tell they were about as optomistic of a good turn out as I was. To keep it short, we ended up getting booked about 2 weeks before New Years Eve.
December 31st, 2008 started out like most days that our band gets together to play music. I woke up on someone's couch around 10:00am. Having fallen asleep around 8:00am I could see where this day was already headed. Another day of being awake for 30 hours with little sleep, and a lot of alcohol.
I had spent a few hours the night before at work making a flyer for the show. A lot of our usual fans were unsure if they were coming, and I knew we'd have to advertise to pull in the type of crowd that Uncle Festers(and ourselves) would want that night.
So Matt and I spent about an hour downtown hanging up flyers in about 5 degree weather. He was already saying he wasstarting to feel sick, and this didn't help either of us feel better. We stopped by CVS and got cough drops, but I didn't know how well Matt's throat would be able to handle the show.
But I was still really psyched for the show, and I talked Matt into going to a costume shop where we bought about 150 martigras' beads. It wasn't much, but I knew the crowd would eat it up. It also gave me a chance to let Matt rest his voice if it started to hurt.
So all of this took up most of our morning and around 3:00pm I dropped of Matt, and met up with Jessika to get our hotel. By the time I met up with Matt again, he was laying around his house watching Rush Limbaugh get interviewed on CSPAN or something. We didn't stay long as it was time to go gather the equipment and make the trip downtown to Uncle Festers.
Packing didn't take long, and we were meeting up with Eric at Uncle Festers at 9pm for the load in time. We were running late, but we had planned it that way. In fact I had put an earlier time on the flyers because I expected people to show up late.
So we're still setting up, the sound guy hasn't arrived yet, and people are already at the door trying to get in. Some people are just walking in and sort of hiding out in the bar (waiting to see if they get by the cover?). Here it is 10pm, and people are actually showing up on time. Friends of ours, and others that have just come down to hear some music.
We finally get to playing around 1045pm. It didn't start off that well. We had been practicing a lot of new material. Some new White Stripes cover songs but mostly some new material of our own, and because of this we had slightly neglected our "older" songs.
But this is where those cheap martigras beads I had bought actually saved us. Not only did I use them as a way to get people more into the show, but I actually used them to pause the show, and allow us to catch up with ourselves.
I don't know if it was nerves, anxiety, lack of sleep, lack of booze, or just lack of a really good practice the day before, but we were definately off on more than a few songs. But no one seemed to notice. Everyone stayed in great spirits, and even put up with us when we were a little behind on our New Years Eve 10 second countdown.
I've never been one for being center stage, but this was one time I forced myself into taking that role. It's hard being behind the drum set, and pulling this off, but I think I actually did pretty well. While tossing out beads I'm pretty sure I took out a few lights and a ceiling fan, but no one's eye balls, or alcoholic beverages.
Thanks to:
2008,
Uncle Festers,
The inventor of the martigras beads,
Whoever left that lovely jar of sweet corn liquor, and
the lady at the dollar store with the "yes we did" obama sticker
that gave Matt and I a much needed laugh.
12.18.2008
Another First:
The high ohms (hot shit) experiment
We've recorded ourselves a number of times. Infact the whole band came about because Matt had gone to a studio and recorded a 22 - 24 track CD with his acoustic songs. Today was different though. Today we'd be going into a studio, and we would be leaving as recording artists.
I know it sounds cheesy, but it's how I felt. Without any recordings of our band to this date, we had been continually denied gig's. We pretty much had to make our own if we wanted to get new fans (see: hell barn).
We spent the morning on a practice session, to make the recording go easier. It also helped warm us up as musicians. We were at the studio about 15 minutes early, and our engineer (a nice guy by the name of Terry) was shocked to see us early.
We spent the next 45 minutes doing sound checks, and listening to Terry's stories about how bands always show up late, and sometimes show up an hour before their session was supposed to be finished.
We spent 5 hours in the studio laying down tracks for 6 songs. Sticking to an "old school" mentality of recording as a band, and not as separate musicians. We hoped by avoiding this, and laying down a guitar, bass, drum, and vocals track separately that we will accomplish capturing our powerful and unique live sound.
We ended up recording: "Don't Try & Tell Me How To Live", "Fed Up", "Butterfly", "Looking Through Clouds", and "Spillway Blues".
This is such an exciting time for us that we couldn’t have imagined how well it was going to work out. Terry, our engineer and studio owner, made the experience wonderful and it felt very natural for the 3 of us to work with him.
We asked to have a master copy by the 24th, but didn’t want to cut short Terry’s time to work. However, Terry seemed to think that timetable was more than efficient, and assuredn us that he would be prepared to have it ready.
So be prepared to hear our first respectable recordings released by the end of the year!!
Check our myspace for a chance to listen to these songs.
I know it sounds cheesy, but it's how I felt. Without any recordings of our band to this date, we had been continually denied gig's. We pretty much had to make our own if we wanted to get new fans (see: hell barn).
We spent the morning on a practice session, to make the recording go easier. It also helped warm us up as musicians. We were at the studio about 15 minutes early, and our engineer (a nice guy by the name of Terry) was shocked to see us early.
We spent the next 45 minutes doing sound checks, and listening to Terry's stories about how bands always show up late, and sometimes show up an hour before their session was supposed to be finished.
We spent 5 hours in the studio laying down tracks for 6 songs. Sticking to an "old school" mentality of recording as a band, and not as separate musicians. We hoped by avoiding this, and laying down a guitar, bass, drum, and vocals track separately that we will accomplish capturing our powerful and unique live sound.
We ended up recording: "Don't Try & Tell Me How To Live", "Fed Up", "Butterfly", "Looking Through Clouds", and "Spillway Blues".
This is such an exciting time for us that we couldn’t have imagined how well it was going to work out. Terry, our engineer and studio owner, made the experience wonderful and it felt very natural for the 3 of us to work with him.
We asked to have a master copy by the 24th, but didn’t want to cut short Terry’s time to work. However, Terry seemed to think that timetable was more than efficient, and assuredn us that he would be prepared to have it ready.
So be prepared to hear our first respectable recordings released by the end of the year!!
Check our myspace for a chance to listen to these songs.
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